Saturday, January 4, 2020

The Invention Of Cinema And Film Reel - 1920 Words

When thinking about cinema, the first image that often comes to mind is that of a film reel, or a projector in a dark screen, not dissimilar to the one opening Bergman s Persona (1966). Although originally indicating the physical medium on which moving images were fixated, the word â€Å"film† quickly evolved to mean motion pictures; for decades, cinema and film were not considered as two separate ideas. Over the years, the link between this art form and material elements has been reinforced on a more theoretical level by the assertions of critics such as Kracauer, to whom â€Å"Films come into their own when they record and reveal physical reality.(Kracauer, 1997); Stanley Cavell also highlights the intrinsic realism that belongs even to the†¦show more content†¦It features an everyday character, Neo, who gains the ability to bend and transform the reality around him, after finding out the reality he lived in was nothing but a limited fraction of the possibilities around him. He obtains his power by making a bold choice, taking the iconic red pill and entering â€Å"the rabbit hole†. A possible interpretation for the suggestive analogy would see the Wachowskis, or more broadly the â€Å"generation X† directors, taking the metaphorical pill and choosing to gain the power to control and manipulate the images on the screen more than it was ever possible before, and the directing duo of the Matrix trilogy brilliantly succeeded at exploring new frontiers of filmmaking. A perfect example of this is the Bullet-Time effect, expression created by its own inventor John Gaeta, who worked with Manex Visual Effects for The Matrix s digital effects. It originally refers to a scene where the protagonist is able to dodge the agents bullets at an extreme speed; to deliver this the directors chose an extreme slow motion effect in which the camera could freely move while the action was frozen, thus deliberately playing with the audience s expectations and previous knowledge of the limits of camerawork; it was directly inspired by Otomo Katushiro s view-morphing techniques (Gaeta, 2006). This sequence works thanks toShow MoreRelatedFilm hw 1 Essay1078 Words   |  5 PagesIntroduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer. Directions: Using word processing software to save and submit your work, please answer the following short answer questions. All responses to questions should be one to two paragraphs, composed of five to seven sentences, in length. Your responses should include examples from the reading assignments. 1. Explain the role of the Kinetoscope during the period of cinemas invention. How did the KinetoscopeRead MoreFilm Review : Making A Film1181 Words   |  5 PagesMaking a film takes a very complex process. This is why films sometimes take months and even years to make. Filmmaking is always broken up into 5 steps. Filmmaking takes a process of the development of the film, the pre-production, production, the post-production, and distribution. This is when the production begins to take shape. Ideas for the film are created and the screenplay is written and edited. During this part of the process financing is planned out and looked at what can be afforded, whatRead MoreThe Film Industry And Its Impact On The Entertainment Industry971 Words   |  4 Pages The medium of cinema has been around for almost 130 years and has dramatically advanced due to brilliant minds of innovation in art, math and science. 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In the following essay we are going to discuss why I believe that the wars faced both foreign and domestic played the biggest factor in the American Film industry’s rise to dominance by

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